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January 20th, 2019 | Lewiston, Maine

Eric Pfeffinger’s play Human Error is political and sweet and funny as all hell, and I’m so grateful to be up in Maine (yes, even in January!) working on this thing with the most easygoing and delightful cast. I play a righteous liberal yoga teacher with control issues whose embryo accidentally gets implanted in another woman’s uterus… and that other woman (played by the whipsmart Heather Dilly, right) is just a little bit different from me, politically speaking. Aaaand in just about every other way. Hilarity ensues, y’all!

Directed by Christopher Schario at the Public Theatre, through February 3rd.

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June 12th, 2019 | NYC

There’s a new company in town, and I’m in it! Headed by a certain rock star named Andrus Nichols and resident playwright Kate Hamill, The Coop “was conceived out of the desire to create a community of NYC-based artists who are interested in making extraordinary theatre and committed to fostering a culture of collaboration, experimentation, and trust.” How cool is this collection of humans? Follow us on Facebook to stay on top of the latest!

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November 19th, 2018 | The Catskills

I just had the best long weekend with the humans of Shrunken Shakespeare Company in a cozy farmhouse upstate, workshopping Richard II, doing yoga, and being loved on by the cuddliest pitbull. Bliss! Many thanks to Yvonne Cone, Steven Godoy, and Anne Cecilia DeMelo for leading us.

April 15th, 2018 | Prague

We are mid-rehearsals for Parts 2 and 3 of Prague Shakespeare Company’s Trojan War Project, and I have the honor of playing Cressida in the world premiere of Lillian Groag’s brilliant adaptation of Troilus and Cressida in association with Oregon Shakespeare Festival’s Play On! series, at the historic Estates Theatre in Prague.

I will also appear in a new adaptation of The Trojan Women by Rebecca Greene Udden and Guy Roberts, who also direct. Original music by Patrick Neil Doyle.

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October 30th, 2017 | NYC

I recently set up a writing portfolio on the super-convenient freelancers' platform Clippings.me, and I'll be adding lots of clips new and old over the coming weeks. I love the idea of finally having all my work in one place! Well, not all of it. That would be painful for everyone involved. But some of the good stuff, at least. Check it out.

P.S. The article to the right, from the Czech edition of InStyle magazine, features a custom portrait of me by the delightful Japanese artist Kanako Kuno as I sweat away my sorrows in a slightly grody 16th-century Turkish bath. All of these things happened.

December 1st, 2017 | NYC

I've joined the cast of the beautiful off-Broadway production of Pride and Prejudice, directed by Amanda Dehnert and adapted by and starring the superlative Kate Hamill as Lizzie Bennet. I'm understudying Lizzie as well as the many roles played by the other three women in the cast. I simply adore this show and the people in and around it, so please catch us if you can — we've extended until January 6th!

Presented by Primary Stages at the legendary Cherry Lane Theatre in a co-production with Hudson Valley Shakespeare Festival

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August 23rd, 2017 | NYC

I just signed with the fantastic boutique agency Bloc NYC! I'm thrilled to begin working with this lovely group of humans who will be representing me across the board — for theatre, film & TV, commercial, and voiceover. 

See my Contact page to get in touch with Bloc.

August 21st, 2017 | Bratislava

I published my first travel article in a very long while today. It's an only mildly critical ode to my parents' home city, Bratislava, and features fruit-stuffed dumplings and a very blue church. Sending a big Slovak dakujem to Tallie Gabriel, who let me take over her travel blog for a day. Here's a lil' snippet:

Where To Go If For Some Reason You Happen To Find Yourself In Bratislava

So you’re in Central Europe for a limited time only and you want to hit the hottest of the Austro-Hungarian hot spots. These are, inarguably, Prague, Vienna, and Budapest. (If you want to be really cool, you’ll throw Ceský Krumlov into the mix, too.) Guess which capital city hasn’t reached the top of the tourist charts? I’ll tell you, since you’ve probably never heard of it: Bratislava, the forlorn little Slovak town that – at just 35 miles away – is the schlumpy suburb to big, beautiful Vienna.

But wait! People DO visit Bratislava! Most of them are just taking an involuntary pit stop on the Danube river cruise between Vienna and Budapest, but still – I’ve occasionally even caught them enjoying themselves...

Read the rest at Tallie Somewhere Else

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May 7th, 2017 | NYC

I'm crazy honored to be one of the first actors to get a crack at this gorgeous new play by Corbin Went, in an invite-only staged reading presented by The Renovationists.

Directed by Emma Rosa Went.

 

Set in the post-Civil War rural South, Old Names for Wildflowers is a brand-new, full-length play by Corbin Went about witchcraft, queer family-making, and survival on the edge of the woods that "ring with the devil's whistle."

 

Please contact me if you'd like to join us for this one-night event.

April 1st, 2017 | NYC

Two of my haiku have just been published in New York City Haiku, a new hardcover book from The New York Times and Universe/Rizzoli. Look for them next time you're at the bookstore!

One hundred fifty
haiku on New York City
in just three lines each.

 
New York City Haiku collects 150 of the best haiku inspired by the Big Apple. These succinct three-line poems express not only the personal experiences of every New Yorker (or New Yorker at heart), but also the universal truths about living and loving everything that New York has to offer as well.
 
Written by poets of all ages and from across the country, this affordable and giftable collection creates an honest and often hilarious volume chronicling what New York is all about. A must-have for anyone who aspires to “make it there,” New York City Haiku is a thoughtful and fun testament to the city and its people.

March 3–10, 2017 | Prague

I take a quick trip to Prague to rehearse and perform in the world premiere of Deaf Empire by Stephan Delbos, an English-language play about the life of the great Czech composer Bedrich Smetana, set against the background of the Czech nationalist movement.

I appear as Smetana's first wife, Katerina, opposite the formidable U.K. actor Gregory Gudgeon.

Directed by Amy Huck

Produced by Prague Shakespeare Company

 

"In director Amy Huck’s light-hearted yet compelling production, Deaf Empire recreates both the period and Smetana’s winding, uncertain path to national significance with fidelity and humour." — Opus Osm

 

December 31st, 2016–January 15th, 2017 | Houston, TX

I'm on tour with Prague Shakespeare Company at Main Street Theater in Houston, TX with our hit WWII radio play production of Much Ado About Nothing. 

 

"The combined PSC and Main Street troupes play [Shakespeare's] shaded comedy with tremendous style... Deft and wondrously theatrical." — Houston Press

"Don’t miss this WWII adaptation of Much Ado About Nothing... Presented by the PSC as part of their continuing partnership with Main Street Theater, it was refreshing to see such an original rendering of a familiar play...This is a strong, international cast, and I marveled at the credentials of the players."  — Houstonia Magazine

 

Awards & Accolades for Sense & Sensibility:

2016 Off-Broadway Alliance Award:  Best Unique Theatrical Experience

2016 Drama League Award Nomination: Best Revival of a Play

2016 Lucille Lortel Award Noms: Best Director / Best Choreographer

New York TimesTime Out Critic's Pick

Forbes Top Theater of 2016

NY Post Best Theater of 2016

amNY Best Shows of 2016

New York Magazine: 28 Reasons Why New York Theater is Thriving

January 24th–November 20th, 2016 | NYC

I appear in 265+ performances of Bedlam's off-Broadway hit Sense & Sensibility.

Adapted by Kate Hamill. Directed by Eric Tucker.

 

"Irresistible theater."  — Ben Brantley, The New York Times (Critic's Pick) 

“Bedlam Theatre, an off-Broadway powerhouse, is a collective of actors of such finesse, such flexibility, such charm, such precision, as to just about redefine ensemble… The cast—actors who can become, in a flash, multiple characters, including horses—are superb." — The Philadelphia Inquirer

“The more we see the Bedlam players, the more we wonder that they haven’t yet been snapped up for better-paying jobs uptown." — The Huffington Post 

Read my personal reviews from Sense & Sensibility here.